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Articles & Reviews
Bernard Hoyes
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Desert Artist Bernard Hoyes Draws Upon Jamaican Culture
By Faith Ihem, Special to The Desert Sun
For over four decades Jamaican-born visual artist Bernard Hoyes has
captured powerful imagery of the masses and Afro-Caribbean ancestral
spirituality. Best known for his “Revival” series, Hoyes recalls his
Jamaican roots through rhythmic movement, vivid colors, and spiritual
forwardness....
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Bernard Hoyes of Desert Hot Springs (Photo: Submitted)
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BERNARD STANLEY
HOYES '70
2011 Sabin Award honoree Bernard
Stanley Hoyes '70, shares memories
of the "Summer of 1968" in Saxtons
River, his time at Vermont Academy,
and art as a Collaborative tool.
Vermont Academy Life Winter 2013
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Interview With
Jamaican Artist
Bernard Stanley Hoyes
By Xavier Murphy Monday September 24, 2007
This month we interview Jamaican Artist, Bernard Stanley Hoyes. He started his professional career at the early age of nine in Kingston. He moved to the US at age fifteen where he continued his art education. His work has been featured in many exhibits and magazines over the world. Some call him the “spiritual color master” for the mixture of color and religion that is evident in his work.
Guardians of Rag Culture (right), a monoprint from the Rag Series©.
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Jamaican Sources and African American Visions: The Art of Bernard Hoyes
By Paul Von Blum, J.D.
Lecturer UCLA
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Soul Revival
by Kellie Magnus in
MACO
Caribbean Living
Volume 4 Issue 2
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Press Release
OCTOBER 2002
BERNARD STANLEY HOYES ….
HIS ART SPEAKS TO US
by
MAKEDA SMITH
jazzmyne
PUBLIC RELATIONS
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Promoting the Spirit of African Visual Art:
Afrikan Business & Cultural Quarterly (UK)
Vol. 2 NO. 16 2001
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Palm Springs Desert Museum
Museum celebrates Black history
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Focusing on Magic of Mundane
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By Reed Johnson,
L.A. Life Weekend, August 15, 1997
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From Mystery to Mysticism
Exhibit pairs photos, paintings. The results are entrancing.
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BY JOSEF WOODARD
SPECIAL TO THE TIMES
August 14, 1997
LA Times
Calendar Weekend
SIGHTS
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Hoyes Art Show
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By Estella Holeman
The L.A Watts Times
August 7, 1997, Page 21
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